A theatrical and musical essay by Beno\u00eet Delbecq and David Lescot
\nDirector: David Lescot
\nMusical Direction: Beno\u00eet Delbecq
\nScenography: Eric Vernhes
\nElectronic filmmaker: Eric Vernhes
\nLights: Paul Beaureilles
\nCostumes: Sylvette Dequest
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Drums and live electronics: Steve Arg\u00fcelles \/ Narration, vocals, electronics and multiple characters: D' de Kabal \/ Piano, keyboards, electronics, vocals, narration: Beno\u00eet Delbecq \/ Narration, vocals, keyboard, multiple characters: Ir\u00e8ne Jacob \/ Gospel vocals, narration: Ursuline Kairson \/ Slam, narration, keyboards, electronics: Mike Ladd \/ Guitars, electronics, vocals, narration: Franco Mannara<\/p>\n[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=\u00a0\u00bbrow_inner\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column_inner saved_specialty_column_type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbTexte\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]
LE MAGAZINE LITTERAIRE: \u201c\u2026In an excellent scenography by \u00c9ric Vernhes, seven actors and musicians tell, sing and play various stories of the founding of the United States of America. These stories of the founding are stories of destruction. That of Christopher Columbus only enthuses about the kindness of the Indians to better program their subjection and their evangelization. That of Catherine Weldon tells how the young artist, having taken the side of Sitting Bull, was ostracized by the white community. We then relive Robert Altman's anti-western, McCabe & Mrs Miller, the prophetic delusions of the Ku-Klux-Klan, the rules of racial segregation, the forced adaptation of Sicilian immigrants\u2026 Each performer divides his own voice, in fact playing contradictory tones and sonorities. No two voices are alike. We move from one to the other cheerfully, sometimes at breakneck speed, on the verge of superposition, just as we move just as quickly from French to English with surtitles and to English without surtitles, from spoken word to slam, from slam to gospel and from gospel to cabaret singing. Here, unlike Lepage's show, nothing coincides. This non-coincidence takes the side of individuals. Each figure visited and almost immediately abandoned moves, through the combined grace of the story and the vocal and bodily commitment of the storyteller-singer. Everything, even the images projected on the screen set up behind the musicians' space, is first the object of an extraordinary rhythmic work. This permanent and mobile discontinuity is skillfully orchestrated for the future. This is how, in any case, Beno\u00eet Delbecq describes his project: \"Gospel to come, re-imagined baroque, rap of tomorrow, jazz of the day after tomorrow, soul songs of the future remixed on the spot, post-contemporary spoken-word...\"<\/p>\n[\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbTexte\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]
RHINOCEROS \u2013 Cecile Maslakian \u201c\u2026 Nothing is more electrifying than the presence of Ursuline Kairson who lives and sings gospel as she breathes. And what strength emerges from Mike Ladd\u2019s serious slams denouncing violence and fear! The eye is also in the party. The staging is brilliant in every sense of the word and Eric Vernhes\u2019 projections literally inhabit the stage. Very inspired, his images palpitate, crackle and radiate the scene.\u201d<\/p>\n[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=\u00a0\u00bbrow_inner\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column_inner saved_specialty_column_type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttp:\/\/ericvernhes.com\/wp-content\/uploads\/2017\/02\/eric-vernhes-bouffes-du-nord-3.jpg\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb align_tablet=\u00a0\u00bbcenter\u00a0\u00bb align_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb admin_label=\u00a0\u00bbImage\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbleft\u00a0\u00bb animation_duration=\u00a0\u00bb500ms\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb animation=\u00a0\u00bbleft\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb always_center_on_mobile=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb align_phone=\u00a0\u00bbcenter\u00a0\u00bb][\/et_pb_image][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_sidebar orientation=\u00a0\u00bbright\u00a0\u00bb area=\u00a0\u00bbet_pb_widget_area_6″ admin_label=\u00a0\u00bbSidebar\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ header_font_size=\u00a0\u00bb18px\u00a0\u00bb header_line_height=\u00a0\u00bb1.2em\u00a0\u00bb body_font_size=\u00a0\u00bb13px\u00a0\u00bb body_line_height=\u00a0\u00bb1.1em\u00a0\u00bb body_line_height_tablet=\u00a0\u00bb\u00a0\u00bb body_line_height_phone=\u00a0\u00bb\u00a0\u00bb body_line_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_sidebar][et_pb_sidebar orientation=\u00a0\u00bbright\u00a0\u00bb area=\u00a0\u00bbet_pb_widget_area_7″ admin_label=\u00a0\u00bbBarre lat\u00e9rale\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ header_font_size=\u00a0\u00bb16px\u00a0\u00bb header_line_height=\u00a0\u00bb1.2em\u00a0\u00bb body_line_height=\u00a0\u00bb1.1em\u00a0\u00bb header_line_height_tablet=\u00a0\u00bb\u00a0\u00bb header_line_height_phone=\u00a0\u00bb\u00a0\u00bb header_line_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_sidebar][et_pb_sidebar orientation=\u00a0\u00bbright\u00a0\u00bb area=\u00a0\u00bbet_pb_widget_area_8″ admin_label=\u00a0\u00bbBarre lat\u00e9rale\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ header_font_size=\u00a0\u00bb16px\u00a0\u00bb header_line_height=\u00a0\u00bb1.1em\u00a0\u00bb body_line_height=\u00a0\u00bb1.1em\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_sidebar][\/et_pb_column][\/et_pb_section]","protected":false},"excerpt":{"rendered":"
Th\u00e9\u00e2tre des bouffes du nord – Sc\u00e9nographie, mapping et images live trait\u00e9es sur logiciel sp\u00e9cifique.<\/p>","protected":false},"author":1,"featured_media":3552,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[55,22,36],"tags":[],"class_list":["post-475","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-55","category-chronologie","category-scenographie"],"_links":{"self":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/comments?post=475"}],"version-history":[{"count":3,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/475\/revisions"}],"predecessor-version":[{"id":3258,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/475\/revisions\/3258"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media\/3552"}],"wp:attachment":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media?parent=475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/categories?post=475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/tags?post=475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}