{"id":4219,"date":"2026-02-10T12:06:20","date_gmt":"2026-02-10T12:06:20","guid":{"rendered":"https:\/\/ericvernhes.com\/?p=4219"},"modified":"2026-02-10T12:58:23","modified_gmt":"2026-02-10T12:58:23","slug":"4219-2","status":"publish","type":"post","link":"https:\/\/ericvernhes.com\/en\/4219-2\/","title":{"rendered":"THE AWAKENED SLEEPERS"},"content":{"rendered":"

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Video two channels - Music - 9mn loop
Specific software, AI, 3D<\/p>\n

From the radio recording \"The awakened sleepers\"<\/p>\n

by Gaston Bachelard - 1957\u00a0<\/p>\n

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In \u201cThe Awakened Sleeper,\u201d a radio talk from 1954, Gaston Bachelard explores the relationships between the nocturnal space of dreams and the diurnal world of reality. The philosopher sings, more than he states, the importance of the poetic imagination born of dreaming in the creative process:
\u201cPhilosophy often forgets that before thought there is dreaming, and that before clear and stable ideas there are images that shine and pass.\u201d<\/em><\/p>\n

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The metamorphoses, fusions, and transformations present in certain AI-generated video images suggest, in a surprising way, memories of past dreams, born in the half-light of the bedroom. This half-light, Bachelard tells us, is where \u201cunfinished forms move, forms that shift without laws, forms that endlessly deform.\u201d\nThe world of dreams and latent space therefore share opacity. One unfolds in the dimness of night; the other arises from an abstract and mysterious mathematical space.
Within the opacity of these two universes, actors perform strange scenes through processes of unsettling similarity, introducing AI as the most fully realized form of a collective unconscious.<\/p>\n

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Vid\u00e9o deux canaux – Composition musicale – Boucle 9mnLogiciels sp\u00e9cifique, IA, 3D D’apr\u00e9s l’enregistrement radiophonique \u00ab\u00a0Le dormeur \u00e9veill\u00e9\u00a0\u00bb par Gaston Bachelard – 1957\u00a0      Dans \u00abLe dormeur \u00e9veill\u00e9\u00bb, causerie radiophonique de 1954, Gaston Bachelard explore les relations entre l\u2019espace nocturne du r\u00eave et le monde diurne de la r\u00e9alit\u00e9. Le philosophe chante, plus qu\u2019il […]<\/p>","protected":false},"author":1,"featured_media":4238,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[22,18,33,19,21,37,1,28],"tags":[],"class_list":["post-4219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronologie","category-cinematographie","category-images-memoire","category-sculptures-installations","category-musique-son","category-travaux-sur-ecrans","category-uncategorized","category-video"],"_links":{"self":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/4219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/comments?post=4219"}],"version-history":[{"count":12,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/4219\/revisions"}],"predecessor-version":[{"id":4240,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/4219\/revisions\/4240"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media\/4238"}],"wp:attachment":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media?parent=4219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/categories?post=4219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/tags?post=4219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}