[et_pb_section fb_built=\u00a0\u00bb1″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height=\u00a0\u00bb100px\u00a0\u00bb height=\u00a0\u00bb100px\u00a0\u00bb max_height=\u00a0\u00bb657px\u00a0\u00bb custom_margin=\u00a0\u00bb106px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||72px|||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″ custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb106px||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb106px||||false|false\u00a0\u00bb][et_pb_fullwidth_header title=\u00a0\u00bbFantasmata\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text_color=\u00a0\u00bb#242424″ content_text_color=\u00a0\u00bb#242424″ background_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb min_height=\u00a0\u00bb120.7px\u00a0\u00bb custom_margin=\u00a0\u00bb-91px||43px|||\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb-91px||43px|||\u00a0\u00bb custom_margin_phone=\u00a0\u00bb-125px|||-8px|false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_padding=\u00a0\u00bb57px||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
Metal, screen, computer, specific software - 170*40*10 cm. 2021<\/p>\n
[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb2px|||||\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb-235px||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding=\u00a0\u00bb3px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height=\u00a0\u00bb624.7px\u00a0\u00bb custom_margin=\u00a0\u00bb10px|auto||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb38px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_css_main_element_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ custom_margin=\u00a0\u00bb235px||||false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb235px||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb19px||||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
The kinetic characteristics of the movements of two dancers have been previously recorded by the computer (motion capture). The resulting computer data is recomposed rhythmically and randomly in real time, to experiment endlessly with the relationship between the mobile and the immobile. Tension, translation, release, leap, glide... The pulsation of the pendulum controls the velocity of the silhouettes in all possible modes of transition from pause to movement and vice versa. The sculpture sounds like a clock. Complications arise if the spectators begin to move in rhythm with the pendulum: additional mechanical sounds create a random polyrhythm to which the dancers react, creating a complex choreography. At other times, the sound stops and the silhouettes begin to move extremely slowly, in concert.<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_css_main_element_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb custom_css_main_element_tablet=\u00a0\u00bbwidth: 50%;\u00a0\u00bb custom_css_main_element_phone=\u00a0\u00bbwidth: 50%;\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2021\/05\/Fantasmata2_E_Vernhes-9.jpg\u00a0\u00bb title_text=\u00a0\u00bbFantasmata2_E_Vernhes-9″ show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb23px|||||\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb23px|||||\u00a0\u00bb custom_margin_phone=\u00a0\u00bb-1px||||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb|16px||4px|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb|0px||0px|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_css_main_element_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb custom_css_main_element_tablet=\u00a0\u00bbwidth: 50%\u00a0\u00bb custom_css_main_element_phone=\u00a0\u00bbwidth: 50%\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2024\/08\/Fantasmata2_E_Vernhes-8.jpg\u00a0\u00bb title_text=\u00a0\u00bbFantasmata2_E_Vernhes-8″ show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb21px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb|||0px|false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb|||20px|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb|||0px|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb28px||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb28px||||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding=\u00a0\u00bb1px|||3px||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/vimeo.com\/545617644″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb4px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
The \"Bassedanse\" is a slow and majestic couple dance, which was practiced by the European aristocracy of the 15th century. Its choreography is organized around a very particular figure, called \"Fantasmata\", which consists of a momentary stop, a pause during which the body remains suspended between the accomplishment of a movement and the apprehension of the one that is to come. The figure begins with a lifting of the body just before the sole of the foot lands on the ground and marks the time. Once the movement is finished, a brief stop precedes a new lifting.\nDomenico da Piacenza, a dance master of the Italian Renaissance, describes the intention that should guide the execution of the fantasmata: \"...to become stone in an instant, like someone who has seen the head of Medusa, then, in the next instant, to suddenly fly away like a falcon diving on its prey...\"\nFor Marina Nordera, a professor of ancient dance, Da placenza uses these metaphors to \"draw the dancer's attention to the subtle floating between immobility and the initiation of movement. This moment during which the body becomes empty and is crossed, as if by a breath, by perceptive and dynamic images preserved by memory.\nThus the fantasmata does not describe a passage to the inert, but designates \"the set of conceivable differences between the mobile and the immobile: the break which separates them, the resonance which delicately links them, the moment when each prepares to change to become the other, the transitional gesture which authorizes the passage from one to the other.\" (Nicole Brenez).<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb0px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2021\/05\/Fantasmata2_E_Vernhes.jpg\u00a0\u00bb title_text=\u00a0\u00bbFantasmata2_E_Vernhes\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ fullwidth=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ background_color=\u00a0\u00bbrgba(46,163,242,0)\u00a0\u00bb custom_padding=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb transparent_background=\u00a0\u00bboff\u00a0\u00bb make_fullwidth=\u00a0\u00bboff\u00a0\u00bb use_custom_width=\u00a0\u00bboff\u00a0\u00bb width_unit=\u00a0\u00bboff\u00a0\u00bb custom_width_px=\u00a0\u00bb1080px\u00a0\u00bb custom_width_percent=\u00a0\u00bb80%\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_fullwidth_header title=\u00a0\u00bbFantasmata – Projet d’installation\u00a0\u00bb content_max_width=\u00a0\u00bbnone\u00a0\u00bb admin_label=\u00a0\u00bbFullwidth Header\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ title_text_color=\u00a0\u00bb#242424″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb content_text_color=\u00a0\u00bb#242424″ background_color=\u00a0\u00bbrgba(255, 255, 255, 0)\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb custom_padding=\u00a0\u00bb4px||7px|||\u00a0\u00bb button_one_letter_spacing_hover=\u00a0\u00bb0″ button_two_letter_spacing_hover=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_one_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_width__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_width__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_radius__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_radius__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_letter_spacing__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_one_letter_spacing__hover=\u00a0\u00bb0″ button_two_letter_spacing__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_two_letter_spacing__hover=\u00a0\u00bb0″ button_one_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n
Metal structures, video projection, specific software.<\/p>\n
[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb4px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb-58px||||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2021\/05\/fantasinstallVig.jpg\u00a0\u00bb title_text=\u00a0\u00bbfantasinstallVig\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2021\/05\/Fantasmata_inst_eric_vernhes-1.jpg\u00a0\u00bb title_text=\u00a0\u00bbFantasmata_inst_eric_vernhes\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
Three silhouettes of dancers sketch out a choreography to the rhythm of three pendulums.<\/span><\/p>\n Beforehand, dancers were asked to move fluidly and continuously in front of a camera. The kinetic characteristics of their movements were recorded by the computer (motion capture). In \"Fantasmata\", the resulting computer data is recomposed rhythmically and randomly in real time, endlessly experimenting with the relationship between the mobile and the immobile. Tension, translation, slackening, leaping, sliding... The rhythmic pulsation of each pendulum controls the velocity of the silhouette enslaved to it, in every possible mode of transition from pause to movement and vice versa.<\/p>\n Each sculpture emits the sound of a clock. The slight desynchronization of the three pendulums generates an evolving polyrhythm of sound. Sometimes, complications arise in interaction or not with the spectators: the sound of the pendulums is interrupted and the silhouettes begin to evolve as if weightless, extremely slowly and in concert... At other times, additional mechanical sounds are emitted by the pendulums and the choreography becomes more complex... As different relationships are created between the three silhouettes, the spectator's perception of time changes.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb5px|0px|45.2656px|0px\u00a0\u00bb transparent_background=\u00a0\u00bboff\u00a0\u00bb make_fullwidth=\u00a0\u00bboff\u00a0\u00bb use_custom_width=\u00a0\u00bboff\u00a0\u00bb width_unit=\u00a0\u00bboff\u00a0\u00bb custom_width_px=\u00a0\u00bb1080px\u00a0\u00bb custom_width_percent=\u00a0\u00bb80%\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4″ specialty_columns=\u00a0\u00bb3″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_sidebar orientation=\u00a0\u00bbright\u00a0\u00bb area=\u00a0\u00bbet_pb_widget_area_6″ admin_label=\u00a0\u00bbSidebar\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ header_font_size=\u00a0\u00bb18px\u00a0\u00bb header_line_height=\u00a0\u00bb1.2em\u00a0\u00bb body_font_size=\u00a0\u00bb13px\u00a0\u00bb body_line_height=\u00a0\u00bb1.1em\u00a0\u00bb body_line_height_tablet=\u00a0\u00bb\u00a0\u00bb body_line_height_phone=\u00a0\u00bb\u00a0\u00bb body_line_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb remove_border=\u00a0\u00bboff\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_sidebar][et_pb_sidebar orientation=\u00a0\u00bbright\u00a0\u00bb area=\u00a0\u00bbet_pb_widget_area_7″ admin_label=\u00a0\u00bbBarre lat\u00e9rale\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ header_font_size=\u00a0\u00bb16px\u00a0\u00bb header_line_height=\u00a0\u00bb1.2em\u00a0\u00bb body_line_height=\u00a0\u00bb1.1em\u00a0\u00bb header_line_height_tablet=\u00a0\u00bb\u00a0\u00bb header_line_height_phone=\u00a0\u00bb\u00a0\u00bb header_line_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb remove_border=\u00a0\u00bboff\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_sidebar][et_pb_sidebar orientation=\u00a0\u00bbright\u00a0\u00bb area=\u00a0\u00bbet_pb_widget_area_8″ admin_label=\u00a0\u00bbBarre lat\u00e9rale\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ header_font_size=\u00a0\u00bb16px\u00a0\u00bb header_line_height=\u00a0\u00bb1.1em\u00a0\u00bb body_line_height=\u00a0\u00bb1.1em\u00a0\u00bb remove_border=\u00a0\u00bboff\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_sidebar][\/et_pb_column][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" Metal, screen, computer, specific software.
\nThe term \u201cFantasmata\u201d initially refers to a 15th century dance figure that consists of a momentary stop, a pause during which the body remains suspended between the accomplishment of a movement and the apprehension of the one that is to come.<\/p>","protected":false},"author":1,"featured_media":3520,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[43,22,30,19,21,27],"tags":[],"class_list":["post-3378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-43","category-chronologie","category-interractivite","category-sculptures-installations","category-musique-son","category-temps-memoire"],"_links":{"self":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/3378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/comments?post=3378"}],"version-history":[{"count":17,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/3378\/revisions"}],"predecessor-version":[{"id":4046,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/3378\/revisions\/4046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media\/3520"}],"wp:attachment":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media?parent=3378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/categories?post=3378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/tags?post=3378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}