[et_pb_section fb_built=\u00a0\u00bb1″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height=\u00a0\u00bb100px\u00a0\u00bb height=\u00a0\u00bb100px\u00a0\u00bb max_height=\u00a0\u00bb657px\u00a0\u00bb custom_margin=\u00a0\u00bb78px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||72px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_fullwidth_header title=\u00a0\u00bbOslo Kahn\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text_color=\u00a0\u00bb#6B6B6B\u00a0\u00bb content_text_color=\u00a0\u00bb#474747″ background_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb min_height=\u00a0\u00bb120.7px\u00a0\u00bb custom_margin=\u00a0\u00bb-91px||43px|||\u00a0\u00bb custom_padding=\u00a0\u00bb57px||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
Fictional Artist \u2013 2021<\/p>\n
[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb2px|||||\u00a0\u00bb custom_padding=\u00a0\u00bb3px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb10px|auto||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb11px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2024\/08\/vacuum2.jpg\u00a0\u00bb title_text=\u00a0\u00bbvacuum2″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb23px|||||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb1px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
Oslo Kahn is a fictional artist who practices 3d imagery. It was created during the 2021 lockdown. His work has been exhibited in the form of digital prints, notably at the Plateforme gallery, Paris.
I was his worker.<\/p>\n
About Oslo Kahn, by Eric Vernhes:<\/p>\n
\" This is where Oslo Kahn's work moves me because it evokes the current state of disruption between technological progress and well-being, between economic growth and the conditions for possible survival. I don't know if consumer objects \"whisper\" but in any case they are the emanations of powerful forces, disseminated and elusive, which are no longer reconcilable with other forces: those that animate us, that make us love and hope.<\/p>\n I will finally quote a Simondon specialist, Pascal Chabot:<\/em><\/span><\/p>\n \"Three faces coexist within us: a self seeking its place in a system made up of protective glass and screens; a subject split by the ultra-forces of a globalization that creates as much as it destroys; and finally a precious self marked by the taste of existing, the search for balance and the taste of others. How can we invent a convergence between these three facets of ourselves? How can we escape the impoverishing dualism that results from the escalation between weakened systems and uninhibited ultra-forces?\"<\/em><\/span><\/p>\n This is certainly a question of the same order that the humanoids of Oslo Kahn ask themselves . Like us, they are strangers lost in a world that should nevertheless be theirs. The attention of the spectator is not drawn to them, nor to the technical object, but to the in-between, the void, the abyss that separates them, the feeling of \"strangeness\" that one feels when faced with Oslo Kahn 's work is in fact the manifestation of a vertigo in front of an abyss into which we really risk falling.<\/p>\n [\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2024\/08\/lobby_nft-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bblobby_nft\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2024\/08\/interiorA2WEB.jpg\u00a0\u00bb title_text=\u00a0\u00bbinteriorA2WEB\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb25px|||||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2024\/08\/F15WEB-2300-1.jpg\u00a0\u00bb title_text=\u00a0\u00bbF15WEB-2300″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb33px|||||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" Oslo Kahn is a fictional artist who practices 3d imagery. It was created during the 2021 lockdown. His work has been exhibited in the form of digital prints, notably at the Plateforme gallery, Paris.<\/p>","protected":false},"author":1,"featured_media":3522,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[44,22,23,20],"tags":[],"class_list":["post-3348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-44","category-chronologie","category-narrations","category-travaux-graphiques"],"_links":{"self":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/3348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/comments?post=3348"}],"version-history":[{"count":13,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/3348\/revisions"}],"predecessor-version":[{"id":3767,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/3348\/revisions\/3767"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media\/3522"}],"wp:attachment":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media?parent=3348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/categories?post=3348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/tags?post=3348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}