[et_pb_section fb_built=\u00a0\u00bb1″ fullwidth=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ background_color=\u00a0\u00bbrgba(46,163,242,0)\u00a0\u00bb custom_padding=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb transparent_background=\u00a0\u00bboff\u00a0\u00bb make_fullwidth=\u00a0\u00bboff\u00a0\u00bb use_custom_width=\u00a0\u00bboff\u00a0\u00bb width_unit=\u00a0\u00bboff\u00a0\u00bb custom_width_px=\u00a0\u00bb1080px\u00a0\u00bb custom_width_percent=\u00a0\u00bb80%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_fullwidth_header title=\u00a0\u00bbSuspendues\u00a0\u00bb subhead=\u00a0\u00bbAvec Lisa Einhorn – Projet d’installation et d’exposition, parcours litt\u00e9raire – 2020.\u00a0\u00bb content_max_width=\u00a0\u00bbnone\u00a0\u00bb admin_label=\u00a0\u00bbFullwidth Header\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ title_text_color=\u00a0\u00bb#474747″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb background_color=\u00a0\u00bbrgba(255, 255, 255, 0)\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb min_height=\u00a0\u00bb238.9px\u00a0\u00bb custom_margin=\u00a0\u00bb||-123px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||42px|||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ button_one_letter_spacing_hover=\u00a0\u00bb0″ button_two_letter_spacing_hover=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_one_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_width__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_width__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_radius__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_radius__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_letter_spacing__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_one_letter_spacing__hover=\u00a0\u00bb0″ button_two_letter_spacing__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_two_letter_spacing__hover=\u00a0\u00bb0″ button_one_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb subhead_text_color=\u00a0\u00bb#474747″ sticky_enabled=\u00a0\u00bb0″][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_fullwidth_post_title title=\u00a0\u00bboff\u00a0\u00bb meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb9px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2021\/05\/face11-1.png\u00a0\u00bb title_text=\u00a0\u00bbface11″ show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb align_tablet=\u00a0\u00bbcenter\u00a0\u00bb align_phone=\u00a0\u00bb\u00a0\u00bb align_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb admin_label=\u00a0\u00bbImage\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ custom_margin=\u00a0\u00bb-17px|||||\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbleft\u00a0\u00bb animation_duration=\u00a0\u00bb500ms\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb animation=\u00a0\u00bbleft\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb always_center_on_mobile=\u00a0\u00bbon\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb||26px|||\u00a0\u00bb custom_padding=\u00a0\u00bb12px||0px|||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n
After a visit to Maubuisson Abbey, we began a dialogue about the life and legacy of the Cistercian nuns who lived there for six centuries.<\/span><\/p>\n During our first readings, we were surprised by the contemporaneity of the mystical discourse of which these women were the main virtuosos. The writings of Cistercians such as Beatrice of Nazareth or Madeleine of Flers speak to us above all of sensitive and bodily experiences, which, if we detach them from their religious context, retain all their significance.<\/span><\/p>\n Metaphor and allegory flourish in their poetic style and constitute a permanent attempt, without seeking to conceal their limitations and inadequacies, to say the impossible. Their language, by emphasizing the importance of the body and of feeling, the importance of metaphors and allegories, and the non-duality of body and mind, will irreversibly change the way we think and write.<\/span><\/p>\n These innovative literary experiments opened the way to \"thinking differently\", \"feeling differently\" and \"living differently\". In literature and philosophy, authors such as Simone Weil, Edith Stein, Julia Kristeva, Henri Bergson, Georges Bataille and Robert Musil have echoed these ideas. But they also resonate within each and every one of us, giving us an insight into the fantasies, anxieties and desires inherent in all existence.<\/span><\/p>\n Based on the principle that art can give form to an idea by communicating an emotion, we want to replace the nuns' bodies with those of the spectators, leading them too towards an approach that is more spiritual (intuitive) than reasoned, at the crossroads of the intelligent and the sensitive.<\/span><\/p>\n The pieces selected here can be described as \"temporal objects\" in the sense used by Husserl: \"Objects endowed with an intrinsic movement that matches the movement of the viewer's consciousness\". Whether physical, visual or sonic in nature, the works' internal movements create a temporality that matches that of the nuns as much as that of the visitor, taking the latter into a different state of awareness and perception. This is not a journey through time, but a journey \"through\" a time that creates images. Far more than illustrative or metaphorical, these images are the daydreams of the nuns that persist within the walls of the abbey, giving us an intuitive understanding of their world.<\/span><\/p>\n We want this scenographic tour to revive the sensitive memory of the Abbey site, by connecting our own lives with those of the nuns, so as to create a dialogue between them.<\/span><\/p>\n The exhibition is divided into four sets of works that resonate with editorial content drawing on literature and philosophy: The body (work: Les mari\u00e9es), space (work: Horizon n\u00e9gatifs), time (works: Ligne de fuite and Nuits Blanches), language (works: Mots silencieux and Guerridae).<\/p>\n [\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/ericvernhes.com\/wp-content\/uploads\/2021\/05\/face13wires-copie.png\u00a0\u00bb title_text=\u00a0\u00bbface13(wires) copie\u00a0\u00bb align_tablet=\u00a0\u00bbcenter\u00a0\u00bb align_phone=\u00a0\u00bb\u00a0\u00bb align_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb admin_label=\u00a0\u00bbImage\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbleft\u00a0\u00bb animation_duration=\u00a0\u00bb500ms\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bbleft\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb always_center_on_mobile=\u00a0\u00bbon\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text admin_label=\u00a0\u00bbTexte\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb min_height=\u00a0\u00bb126px\u00a0\u00bb custom_margin=\u00a0\u00bb||14px|||\u00a0\u00bb custom_padding=\u00a0\u00bb27px||0px|||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ sticky_enabled=\u00a0\u00bb0″ custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb-36px||14px||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb-36px||14px||false|false\u00a0\u00bb]<\/p>\n The bodies of the nuns free themselves from their materiality to become tools and places of incarnation, of spiritual transport, of intense emotional states linked to the divine. Also the pieces of the installation \"The Brides\" maintain a circumstantial relationship with the ground. Their bases are fragile. Like the nuns, it is in the sky, the beyond, that they seek a hold.<\/p>\n \"...the soul has become foreign to the world. Its familiar universe no longer has any meaning and yet God, hiding himself, finds itself as if suspended in the void\" Teresa of Avila.\u00a0<\/i>Th\u00e9r\u00e8se d\u2019Avila.<\/i><\/span><\/p>\n Suspended between heaven and earth, their intrinsic movements, visual and sound, speak to us of the \"beyond-body\". Inside each sculpture we can see images of human mouths. The sounds they emit reach us through small loudspeakers placed on the branches whose shapes recall the postures of abandoned, tortured or ecstatic bodies. Songs, prayers, incantations, anger, supplications or tears blend into an indistinct and enveloping rustling.<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n Lisa EINHORN<\/span> pursues academic research focused mainly on cultural history and gender studies. She is also a director within cultural structures, at the crossroads of research and the dissemination of knowledge.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" With Lisa Einhorn \u2013 Installation and exhibition project, literary journey<\/p>","protected":false},"author":1,"featured_media":3564,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[46,22,33,35,38,19,21],"tags":[],"class_list":["post-1386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-46","category-chronologie","category-images-memoire","category-philosophie","category-projets","category-sculptures-installations","category-musique-son"],"_links":{"self":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/1386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/comments?post=1386"}],"version-history":[{"count":10,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/1386\/revisions"}],"predecessor-version":[{"id":4029,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/posts\/1386\/revisions\/4029"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media\/3564"}],"wp:attachment":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media?parent=1386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/categories?post=1386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/tags?post=1386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}