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Vit et travaille \u00e0 Paris. Work and live in Paris, France.<\/em><\/p>\n Expositions r\u00e9centes – recent exhibitions<\/em>:<\/p>\n \u00ab\u00a0Temps suspendus\u00a0\u00bb<\/strong> – exposition collective – Galerie Plateforme, Paris. Septembre Octobre 2020 S\u00e9lection de cr\u00e9ations visuelles et sc\u00e9nographiques\u00a0pour la sc\u00e8ne: Tout va bien en am\u00e8rique<\/strong> \u2013 Th\u00e9\u00e2tre \/ Vid\u00e9o \/musique \u2013 Cr\u00e9ation Th\u00e9\u00e2tre des Bouffes du Nord \u2013 Avril 2013. Avec David Lescot, Benoit Delbecq, Ir\u00e8ne Jacob <\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.0″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb custom_padding=\u00a0\u00bb1px|||||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ use_border_color=\u00a0\u00bboff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n English below<\/em><\/strong><\/p>\n Apr\u00e8s un dipl\u00f4me d\u2019architecte dirig\u00e9 par Paul Virilio, Eric Vernhes travaille en production cin\u00e9matographique aux c\u00f4t\u00e9s d\u2019Anatole Dauman (Argos films). Celui-ci lui offre la possibilit\u00e9 d\u2019\u00e9crire ses premiers projets de fiction et de documentaire (Notamment \u00abLe th\u00e9\u00e2tre amateur\u00bb, s\u00e9lectionn\u00e9 dans le cycle \u00ab Cent ans de court-m\u00e9trage \u00bb de la cin\u00e9math\u00e8que fran\u00e7aise, ainsi que le sc\u00e9nario de long-m\u00e9trage \u201cle grand projet\u201d, laur\u00e9at du prix Michel d\u2019Ornano du festival de Deauville 1996). \n After a degree in architecture directed by Paul Virilio, Eric Vernhes worked in film production alongside Anatole Dauman (Argos films). The latter gave him the opportunity to write his first fiction and documentary projects (Notably \u00ab\u00a0Le th\u00e9\u00e2tre amateur\u00a0\u00bb, selected in the cycle \u00ab\u00a0Cent ans de court-m\u00e9trage\u00a0\u00bb of the French Cinematheque, as well as the feature film script \u00ab\u00a0le grand projet\u00a0\u00bb, winner of the Michel d’Ornano prize at the Deauville festival in 1996).<\/em><\/strong> <\/p>\n \n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" Vit et travaille \u00e0 Paris. Work and live in Paris, France. Expositions r\u00e9centes – recent exhibitions: BIAN – Biennale internationale d\u2019art num\u00e9rique de Montr\u00e9al – Exposition collective – Mai-Juillet 2024\u00abSAFE\u00bb – Performance – CESARE Reims – Mai 2024\u00abProjections – Architectures olympiques\u00bb – exposition collective – Galerie Charlot – Mai 2024Videoformes 2024 – exposition collective – […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-756","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/pages\/756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/comments?post=756"}],"version-history":[{"count":3,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/pages\/756\/revisions"}],"predecessor-version":[{"id":4095,"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/pages\/756\/revisions\/4095"}],"wp:attachment":[{"href":"https:\/\/ericvernhes.com\/en\/wp-json\/wp\/v2\/media?parent=756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u00abSAFE\u00bb <\/b>– Performance – CESARE Reims – Mai 2024
\u00abProjections – Architectures olympiques\u00bb <\/b>– exposition collective – Galerie Charlot – Mai 2024
Videoformes 2024 <\/b>– exposition collective – Mars 2024<\/div>\n
\u00ab\u00a0Galerie Charlot: 10 years anniversary\u00a0\u00bb<\/strong> – exposition collective – Galerie Charlot, Paris, Septembre octobre 2020
\u00ab\u00a039 heures avant l’\u00e9t\u00e9\u00a0\u00bb<\/strong> – exposition collective – \u00ab\u00a039\/933 Romainville – Juin Juillet 2019.
<\/span>\u00ab\u00a0Sur la ligne de fuite\u00a0\u00bb\u00a0<\/b>Exposition solo \u2013 Galerie Charlot Paris \u2013 Avril\/mai 2019.
<\/span>\u00ab\u00a0Handmade\u00a0\u00bb\u00a0<\/b>\u2013 installation permanente \u2013 Commande – magasin Herm\u00e8s Palo-Alto \u2013 Mai 2018
<\/span>\u00ab\u00a0Perception et illusions\u00a0\u00bb –\u00a0<\/strong>Commanderie des Templiers – St Quentin en Yvelines –\u00a0Novembre-Mars 2018 – exp.colllective
<\/span>\u00ab\u00a0Beyond the lines\u00a0\u00bb <\/strong>– exposition en duo avec Manfred Mohr – Galerie Charlot, Paris – Octobre\/novembre 2017
<\/span>\u00ab\u00a0The Artside of Algorythm\u00a0\u00bb<\/strong> – expo collective –\u00a0<\/span>Galerie Charlot Tel-Aviv –\u00a0Mai\/juin 2017
<\/span>\u00ab\u00a0Dadaclub-Online\u00a0\u00bb – Expo collective –\u00a0<\/strong>Galerie Charlot, Paris –\u00a0Septembre 2017
<\/span>Art Paris Art Fai<\/strong>r 2017, Mars 2017.
<\/span>\u00ab\u00a0Int\u00e8rieur\u00a0\u00bb<\/strong> –\u00a0<\/span>Exposition solo –\u00a0<\/span>Galerie Charlot, Paris – Novembre\/decembre 2016
<\/span>Festival Phtophore<\/strong> – Tremblay en France – Septembre 2016 – Exposition collective
<\/span>\u00ab\u00a0De notre Nature\u00a0\u00bb <\/strong>Commanderie des Templiers – Saint Quentin en Yvelines – Mai\/juin 2016 – Exposition solo.
<\/span>\u00ab\u00a0J’y \u00e9tais, alors je m’en souviens\u00a0\u00bb<\/strong> – Maison de la Catalanit\u00e9, Perpignan – Mai\/juin 2016 – Exposition collective.
<\/span>Slick Paris<\/strong> – 24\/27 octobre 2015 – Exposition collective.
<\/span>Art Paris Art Fai<\/strong>r 2015, Mars 2015.
<\/span>\u00ab\u00a0Light Moments\u00a0\u00bb<\/strong>, Baselworld , Basel, Mars 2015. Commande de la soci\u00e9t\u00e9 Herm\u00e9s.
<\/span>Galerie Hubert Winter<\/strong>, octobre-novembre 2014, Vienne – Exposition collective.
<\/span>Scope Basel<\/strong>, Octobre 2014 .
<\/span>Abbaye de Saint Riquier<\/strong> – Juin-Septembre 2014 – Exposition collective.
<\/span>Galerie CHARLOT<\/strong>, Septembre-octobre 2013, Paris – Exposition personnelle.
<\/span>Slick Paris<\/strong> – 24\/27 octobre 2013 – Exposition collective.
<\/span>Show Off Paris<\/strong> -The media Art Fair, 21\/23 octobre 2013 – Exposition collective.
<\/span>Creative store<\/strong>, Gaiet\u00e9 Lyrique. Octobre 2011 \u00ab\u00a0De l’art contemporain au design num\u00e9rique\u00a0\u00bb 104, Paris. Juin 2011<\/span><\/p>\n
Selection of visual and scenographic creations for the stage:<\/em><\/p>\n
UP to 70 miles<\/strong> – Performance image num\u00e9rique \/ musique – Cr\u00e9ation: sc\u00e8ne national d\u2019Evry, 2010. Avec Serge Adam, musique.
Around Robert Wyatt<\/strong> – Performance image num\u00e9rique \/ musique \u2013 Avec l’Orchestre National de Jazz – 2009
UW<\/strong> \u2013 Performance image num\u00e9rique \/ danse \u2013 Cr\u00e9ation: sc\u00e8ne national d\u2019Evry, 2008. Avec Nacera Belazza, chor\u00e9graphie.
Artaud Remix<\/strong> \u2013 Image num\u00e9rique \/ musique \u2013 Festival Access, Pau, 2007. Avec Marc Chalosse, musique.
Big Blue Eyes<\/strong> – Cr\u00e9ation th\u00e9\u00e2trale Sc\u00e8ne National de Clermont-Ferrand 2007. Sur un texte de Doroth\u00e9e Zumstein, avec Julie Binot et Marc Chalosse.
Blitz Party – Dispositif sc\u00e9nique interactif image \/ son. Cr\u00e9ation: Espace Gerard Philippe, Fontenay ss bois 2006. Plan\u00e8tarium \u2013 image num\u00e9rique \/ musique \u2013 Cr\u00e9ation Exposition Universelle A\u00efchi, Japon, 2005, avec Yves Dormoy, musique.
Around Three Gardens<\/strong> – Performance image num\u00e9rique \/ Musique \u00e9lectroacoustique \u2013 avec Serge Adam, benoit Delbecq, gilles Coronado, Django Hartlap, Marc chalosse.
Light Reels<\/strong> \u2013 Performance image num\u00e9rique \/ Musique \u00e9lectroacoustique \u2013 Cr\u00e9ation: Festival Festijazz de La Paz, Bolivie 2005.
Patient Motion<\/strong> \u2013 performance mage num\u00e9rique \/ musique \u00e9lectroacoustique \u2013 Cr\u00e9ation: Les Vo\u00fbtes, Paris 2005.
\u201cMus\u00e9e Haut, Mus\u00e9e bas\u201d<\/strong>– Cr\u00e9ation d\u2019image num\u00e9rique pour la pi\u00e8ce de Jean-Michel Ribes. Th\u00e9atre du Rond- Point 2005.
Ogre<\/strong> \u2013 Performance th\u00e9\u00e2trale image\/son num\u00e9rique \u2013 Cr\u00e9ation: Festival e.magicien, Valenciennes, 2005.
\u201cJe sais qu\u2019il existe aussi des amours r\u00e9ciproques\u201d<\/strong> Th\u00e9\u00e2tre \/ vid\u00e9o \/ musique, avec Ir\u00e8ne Jacob et Benoit Delbecq, Cr\u00e9ation sc\u00e8ne national de Brest 2004.<\/p>\n
Prenant le parti d\u2019un cin\u00e9ma comme m\u00e9dium global, il pratique l\u2019\u00e9criture, le montage, la r\u00e9alisation et la cr\u00e9ation sonore au sein de sa soci\u00e9t\u00e9 de production, \u201cles productions polaires\u201d.
Cherchant des modes d\u2019expressions plus intuitifs que dans l\u2019audiovisuel conventionnel, il pratique la vid\u00e9o exp\u00e9rimentale, puis met en oeuvre des outils informatiques permettant de condenser les phases de montage, traitements image\/son et diffusion en un seul temps. En s\u2019entourant de musiciens improvisateurs il cr\u00e9e des performances sc\u00e9niques o\u00f9 la cr\u00e9ation des images num\u00e9riques et de la musique proc\u00e8de du m\u00eame instant et du m\u00eame geste, soit dans des modalit\u00e9s d\u2019interaction, soit gr\u00e2ce \u00e0 la ma\u00eetrise de l\u2019improvisation en image, rendue possible par le d\u00e9veloppement d\u2019interfaces sp\u00e9cifiques. L\u2019enjeu est d\u2019approcher une autre qualit\u00e9 d\u2019\u00e9criture cin\u00e9matographique \u00e9labor\u00e9e sous la dictature de l\u2019instant et de l\u2019intuition. Il travaille \u00e9galement sur des projets th\u00e9\u00e2traux dans lesquels l\u2019image est int\u00e9gr\u00e9e d\u00e8s l\u2019\u00e9criture, ainsi que pour la sc\u00e8ne rock.
\u00c0 partir de 2008, il se tourne vers la cr\u00e9ation de dispositifs et d’installations cin\u00e9tiques, visuelles ou sonores dont il programme les comportements en fonction de logiques auto-g\u00e9n\u00e9ratives, interactives ou hybrides. Il d\u00e9veloppe ainsi un parcours d’artiste multidisciplinaire\u00a0tendu vers un propos r\u00e9solument humaniste. Les proc\u00e9d\u00e9s num\u00e9riques qu’il utilise sont extraits de leur contexte technique pour \u00eatre mis au service d’un discours intemporel inspir\u00e9 de la litt\u00e9rature et de la philosophie. Eric Vernhes fait ainsi exister des cr\u00e9ations anthropo\u00efdes: le mouvement propre des oeuvres, en \u00e9pousant celui de notre conscience, semble \u00e9pouser aussi notre propre humanit\u00e9 et nous en donne le spectacle.
Repr\u00e9sent\u00e9 \u00e0 Paris par la Galerie Charlot, son travail est montr\u00e9 dans les salons internationaux, centres d’arts et fondations. Il enseigne \u00e9galement les arts technologiques.<\/p>\n
Taking the side of cinema as a global medium, he practices writing, editing, directing and sound creation within his production company, \u00ab\u00a0les productions polaires\u00a0\u00bb. <\/em><\/strong>
Looking for more intuitive modes of expression than in conventional audiovisual, he practices experimental video, then implements computer tools that allow him to condense the phases of editing, image\/sound processing and broadcasting in a single step. Surrounding himself with improvising musicians, he creates stage performances where the creation of digital images and music proceeds from the same moment and the same gesture, either in interaction modalities, or thanks to the mastery of image improvisation, made possible by the development of specific interfaces. The challenge is to approach another quality of cinematographic writing elaborated under the dictatorship of the moment and intuition. He also works on theatrical projects in which the image is integrated from the writing stage, as well as for the rock scene. <\/em><\/strong>
Since 2008, he has been creating kinetic, visual or sound devices and installations whose behaviors he programs according to auto-generative, interactive or hybrid logics. He has thus developed a multidisciplinary artistic path tending towards a resolutely humanistic approach. The digital processes he uses are extracted from their technical context to be put at the service of a timeless discourse inspired by literature and philosophy. Eric Vernhes thus makes anthropoid creations exist: the movement of the works themselves, while espousing that of our conscience, also seems to espouse our own humanity and gives us the spectacle of it. <\/em><\/strong>
Represented in Paris by the Galerie Charlot, his work is shown in international exhibitions, art centers and foundations. He also teaches technological arts.<\/em><\/strong><\/p>\n