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Eric Vernhes\u2019 artistic practice is based on the creation of \u00ab temporal objects \u00bb. This concept, derived from phenomenology, qualifies devices endowed with an intrinsic movement that espouses that of the spectator\u2019s consciousness. Eric Vernhes uses it in his work to create a magical moment: the moment when the spectator\u2019s imagination, set in motion by the work, comes to be embodied in it.<\/em><\/strong><\/span> [\/et_pb_text][et_pb_divider color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb|||256px|false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb|||0px|false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb|||0px|false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,3_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttp:\/\/ericvernhes.com\/wp-content\/uploads\/2017\/02\/eric-vernhes-portrait-5.jpg\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb align_tablet=\u00a0\u00bbcenter\u00a0\u00bb align_phone=\u00a0\u00bb\u00a0\u00bb align_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ custom_margin=\u00a0\u00bb3px||||false|false\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbleft\u00a0\u00bb animation_duration=\u00a0\u00bb500ms\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_width=\u00a0\u00bb1px\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb always_center_on_mobile=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.0″ text_text_color=\u00a0\u00bb#000000″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb custom_margin=\u00a0\u00bb-6px||-37px||false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb||-37px||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb||-37px||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_padding=\u00a0\u00bb4px|||||\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n After a degree in architecture directed by Paul Virilio, Eric Vernhes worked in film production alongside Anatole Dauman (Argos films). The latter gave him the opportunity to write his first fiction and documentary projects.\nTaking the side of cinema as a global medium, he practices writing, editing, directing and sound creation within his production company.\nLooking for more intuitive modes of expression than in conventional audiovisual, he practices experimental video, then implements computer tools that allow him to condense the phases of editing, image\/sound processing and broadcasting in a single step. Surrounding himself with improvising musicians, he creates stage performances where the creation of digital images and music proceeds from the same moment and the same gesture, either in interaction modalities, or thanks to the mastery of image improvisation, made possible by the development of specific interfaces. The challenge is to approach another quality of cinematographic writing elaborated under the dictatorship of the moment and intuition. He also works on theatrical projects in which the image is integrated from the writing stage, as well as for the rock scene. Since 2008, he has been creating kinetic, visual or sound devices and installations whose behaviors he programs according to auto-generative, interactive or hybrid logics. He has thus developed a multidisciplinary artistic path tending towards a resolutely humanistic approach. The digital processes he uses are extracted from their technical context to be put at the service of a timeless discourse inspired by literature and philosophy. Eric Vernhes thus makes anthropoid creations exist: the movement of the works themselves, while espousing that of our conscience, also seems to espouse our own humanity and gives us the spectacle of it. Represented in Paris by the Galerie Charlot<\/a>. <\/p>\n <\/p>\n [\/et_pb_text][et_pb_divider color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb|||2px|false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb|||0px|false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb|||0px|false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb0px||||false|false\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Revue AXONE[S] – 2018<\/a><\/span><\/p>\n ARTS HEBDO MEDIA – 2019<\/a><\/span><\/p>\n Club MEDIAPART – 5 articles de 2013 \u00e0 2023<\/a><\/span><\/p>\n <\/span><\/p>\n ARTS HEBDO MEDIA – 2016<\/a><\/span><\/p>\n <\/span><\/p>\n Organis\u00e9e par Design by Data, Advanced Master in Computational Design<\/a><\/span><\/p>\n Commanderie des templiers de la villedieu – Commissariat: Oph\u00e9lie Petit.<\/a><\/span><\/p>\n
Our body, our emotions, our ideas are constantly in motion. Confronted\u00a0 <\/span>with the movement of the work, a relationship of sympathy is created with it by synchronicity. This relationship with an object makes us aware of our materiality: Before anything else, and in the absence of demonstration of the existence of the soul, the spectator is a body, at a precise moment, in a given place, immersed in the contemplation of his own imagination that he projects in the work. A parenthesis then opens in the incessant movement that propels him towards his finitude. There is here an intrinsically, specifically human experience: the artistic experience.
Art often proposes questions. The work of Eric Vernhes proposes rather an ambition: <\/span>to conquer an ever higher level of awareness of ourselves, our bodies, the world and time in order to perpetuate, despite all the challenges, the experience of our humanity.<\/em><\/strong><\/span><\/p>\nBIOGRAPHIE<\/h2>\n
His work is shown in international exhibitions, art centers and foundations. He also teaches technological arts.<\/p>\n
Private collections: Artphilein Foundation, Lugano \u2013 Stuart Frankel, Chicago \u2013 Coleccion BEEP de Arte Electronico, Barcelona\u2026<\/p>\nARTICLES & TEXTS - SELECTION<\/span><\/h2>\n
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<\/span>Entretien avec Eric Vernhes, par Alexia Antuofermo<\/a><\/span><\/h4>\n
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\u00ab\u00a0Au croisement des parall\u00e8les avec Eric Vernhes\u00a0\u00bb par Marie-Laure Desjardins.<\/a><\/span><\/span><\/h4>\n
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\u00ab\u00a0Eric Vernhes en cinq articles\u00a0\u00bb par Jean-Jacques Birg\u00e9 – 2024<\/a><\/span><\/h4>\n
\u00ab\u00a0La m\u00e9canique sensible d’Eric Vernhes\u00a0\u00bb par Samantha Deman.<\/a><\/span><\/h4>\n
Gaiet\u00e9 Lyrique – Rencontre avec Eric Vernhes – captation vid\u00e9o – 2017<\/a><\/span><\/h4>\n
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\u00ab\u00a0De notre nature\u00a0\u00bb – Catalogue d’exposition – 2016<\/a><\/span><\/h4>\n
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\u00ab\u00a0Eric Vernhes – Vid\u00e9oportrait\u00a0\u00bb Vid\u00e9oformes 2024<\/a><\/span><\/h4>\n